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Davide Perez
Davide Perez (1711 – 30 October 1778) was an Italian opera composer born in Naples of Italian parents, and later resident court composer at Lisbon from 1752.〔''A short history of opera'': Volume 1 Donald Jay Grout - 1947: "Davide Perez (1711-1778) was born at Naples of Spanish parents. After a career at Naples, ..."; Dissertation abstracts: The humanities and social sciences University Microfilms - 1967 ''The Operas of David Perez'' (Order No. 67-11039) Paul Joseph Jackson, PhD Stanford University, 1967: "In his own lifetime, David Perez (1711-1778) was consistently named with the greatest masters of eighteenth century opera seria."〕 He staged three operas on librettos of Metastasio at Lisbon with huge success in 1753, 1754, and 1755.〔''Anuário'': Volumes 2-4 Tulane University. Inter-American Institute for Musical Research, JSTOR (Organization) - 1966: "Davide Perez (1711-1778), resident court composer at Lisbon since 1752, had composed the music for the three Metastasio operas premiered at Lisbon with huge success in 1753, 1754, and 1755 – Didone abbandonata, Artaserse, ..."〕 Following the 1755 Lisbon earthquake, Perez turned from opera more to church music.〔''The Church Music of Davide Perez and Niccolò Jommelli'' - Page 66 Mauricio Dottori: "In the wake of the 1755 earthquake, Perez assumed a less public rôle than he had before, his life becoming more discreet "〕
==Early years==
Perez was born in Naples, the son of Giovanni Perez and Rosalina Serrari, both Neapolitans.〔The surname Perez, of Spanish origin, is even today fairly common in the former Kingdom of the Two Sicilies.〕 At the age of 11 he became a student at the Conservatorio di S Maria di Loreto in Naples, where he remained until 1733, studying counterpoint with Francesco Mancini, singing and keyboard playing with Giovanni Veneziano, and violin with Francesco Barbella.
On completion of his studies, Perez immediately entered the service of the Sicilian Prince d’Aragona, Naselli. From 1734 date his first known pieces, the Latin cantatas ''Ilium Palladio astu Subducto Expugnatum'' and ''Palladium'' performed in Palermo’s Collegio della Società di Gesù, for the laurelling festivities. In the following years, he was active both in Palermo and Naples, as his patron became Chamberlain of the newly crowned king, Carlo I. His first opera, ''La nemica amante'', was composed for the king’s birthday on 4 November 1735 and presented in the gardens of the Neapolitan royal palace and later in the Teatro S Bartolomeo. In the libretto’s dedication the impresario of the theatre, Angelo Carasale, referred to Perez and Pergolesi as 'dei buoni virtuosi di questa città'. Unlike Pergolesi's opera, which was then considered a failure, Perez's was a great success, and his early career granted him, in 1738, an appointment as ''vicemaestro di cappella'' at Palermo’s Cappella Palatina, the Church of St. Peter in the royal palace, to become ''maestro'' the next year upon the death of its former titular, Pietro Puzzuolo.
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